Cinematography

"You both talk about how grounded, unfussy framing keeps the focus on Rupert’s delusion and awkwardness."

"You gush over the Copacabana tracking shot and how the camera sells the seduction of the mob world."

"You talk about big, glossy period visuals and how the flying sequences and colour timing pop."

"You talk about how clean, classical framing and the de-aging tech serve a very melancholy story."

"You describe the wide plains, oil fires and intimate interiors as beautiful and suffocating at the same time."

"You praise how specific images—bag scenes, needles, darkness—stay burned in your brain."

"You describe its older-camera feel and VHS-like roughness as perfect for the chaos."

"You admire the neon-drenched look and slick modern camera movement."

"You call out the extreme colour palette, stylisation and iconic opening blood sequence."